Abstracted and intertwined human figures float in undefined space, losing orientation as they dissolve into chaotic composites. Body parts, such as limbs, intestines, and other features— are blended, erased, enlarged, connected or dissected into multiple layers. The dissection of flesh merges into unidentifiable forms, blurring the lines between shape and space. Magnified to a molecular level, the human figure becomes indistinguishable. The bodies are liberated from societal and individual roles.

This abstraction of the body questions identity, social norms, and understandings of boundaries. Their relationship to space reveals dichotomies: the social environment versus the individual; self versus other; freedom versus social role; rationality versus unconsciousness; individuality versus collectivity. These tensions emerge visually.

Using vibrant colors, I repeatedly layer and sand paint until a flattened imagery is uncovered. Selectively erasing and enlarging elements, painting each layer distinctly—whether muscle, flesh, bone, or artificial implants captures tension within liminal space between figures. This visualizes an interplay between internal struggles and broader social dynamics. My work juxtaposes clarity and anonymity, individuality and collectivity.

My work stems from an ongoing exploration of human connections—how it begins, evolves, and structures society––I examine the expanding possibilities through body abstraction. By dissolving boundaries between the figure and space, I invite viewers to reconsider the human body not as a fixed form, but as a dynamic space where identity, memory, and emotion coexist independently.